My pen has felt a little resistant lately, so this week, I decided to give it a rest and focus on another love of mine -- textures. Since I gravitate toward bird-creating, especially when I'm feeling a bit stuck, I started a "Rusty Bird" collection. I am unsure if I'll add to the backgrounds, or keep these as solitary birds on a blank page, but here is a preview of what I've been working on....
Your comments and suggestions are always welcome.
Sunday, May 4, 2014
Friday, April 11, 2014
In like a lion
While working on my happy lions for the circus pattern project a few weeks ago, I made a rough sketch of a voluminous lion face. I tossed it aside at the time, but I keep running into it, and I decided to try another one today. I'll post more once the linework is completed and I've added color, but I look forward to seeing where I can go with this. Stay tuned!

Sunday, March 23, 2014
Lilla Rogers and Jell-O patterns
I submitted my second assignment for Lilla's MATS Bootcamp earlier today. The focus this month was on patterns, bolt fabric and Jell-O — Jell-O molds, colors, retro ads, anything Jell-O. I found myself uninterested in the molds, but I really loved looking at the desserts. The colorful stacks of Jell-O layered with whipped cream and a cherry on top, served in a tall glass with a pronounced stem. Just cool.
As with every Lilla assignment so far, it was another fantastic experience of learning, questioning, researching and drawing. Not only did I spend time checking out old Jell-O ads (totally enjoyable), but I also paid more attention to the patterns around my house, I drew gazillions of fun desserts, and I tried some new color combinations. Another perk this month was finding www.colorexplorer.com. Using the "Image Color Import" function, I was able to upload images that I was drawn to (my Ikea bedspread, a shirt at the Nintendo store, a mudroom on Houzz.com, etc.), and Color Explorer provided Illustrator-ready .ase swatches for me to use with my drawings.
I created several variations for my final assignment, but I went with this one in the end:
There were a few other contenders, too...
Which one is your favorite? And why?
I welcome your comments!
As with every Lilla assignment so far, it was another fantastic experience of learning, questioning, researching and drawing. Not only did I spend time checking out old Jell-O ads (totally enjoyable), but I also paid more attention to the patterns around my house, I drew gazillions of fun desserts, and I tried some new color combinations. Another perk this month was finding www.colorexplorer.com. Using the "Image Color Import" function, I was able to upload images that I was drawn to (my Ikea bedspread, a shirt at the Nintendo store, a mudroom on Houzz.com, etc.), and Color Explorer provided Illustrator-ready .ase swatches for me to use with my drawings.
I created several variations for my final assignment, but I went with this one in the end:
There were a few other contenders, too...
Which one is your favorite? And why?
I welcome your comments!
Thursday, March 6, 2014
Textures and more bird sketches
I'm working on a project that now requires more background colors and textures, so I spent time yesterday creating watercolor paintings with different shades of blues, greens, and oranges to add to my library.
After I scanned these texture paintings in, I pulled out my white and graphite transfer paper and sketched on the still-damp paper. The wetness of the paper and the smudginess of the transfer paper give my drawings a dream-like quality, and I generally love the results.
On the cropped out sections below, I added some saturation in Photoshop to boost the background texture further...
How I will incorporate this particular background, I'm not sure yet. I am hoping for further instruction while I sleep tonight.
Your comments, questions and suggestions are always welcome.
After I scanned these texture paintings in, I pulled out my white and graphite transfer paper and sketched on the still-damp paper. The wetness of the paper and the smudginess of the transfer paper give my drawings a dream-like quality, and I generally love the results.
On the cropped out sections below, I added some saturation in Photoshop to boost the background texture further...
How I will incorporate this particular background, I'm not sure yet. I am hoping for further instruction while I sleep tonight.
Your comments, questions and suggestions are always welcome.
Monday, February 24, 2014
My final cuckoo clock submission
After a somewhat scattered process of sketching and assembling images, I created my final collage for my first MATS Bootcamp submission (more about this assignment + sketches can be found here).
I wanted my cuckoo clock image to portray time as a bit static and stuck, but also very layered and rich. This is the image I posted to Lilla's online gallery...
As always, I welcome your comments and feedback.
I wanted my cuckoo clock image to portray time as a bit static and stuck, but also very layered and rich. This is the image I posted to Lilla's online gallery...
MATS Bootcamp has begun!
I've enrolled in another course led by Lilla Rogers. This one is called Make Art That Sells: Assignment Bootcamp. It's different than the MATS A class that I took last year in a few ways:
At the beginning of the second week, we were given our actual assignment: create a phone cover with a cuckoo clock theme. Because of the vertical nature of the cover, and because I love drawing city buildings, I began focusing on the cuckoo clock as a Brooklyn brownstone. Here are a couple of examples:
- In Bootcamp, we get three weeks for each assignment, plus one week downtime before the next one starts. In MATS A, we had one week to complete an assignment and no downtime.
- Lilla will not be critiquing the class submissions as she had in the A course, so there is much less interaction with Lilla herself.
- Bootcamp is less expensive. Less Lilla, less $, I suppose.
At the beginning of the second week, we were given our actual assignment: create a phone cover with a cuckoo clock theme. Because of the vertical nature of the cover, and because I love drawing city buildings, I began focusing on the cuckoo clock as a Brooklyn brownstone. Here are a couple of examples:
Sketching bricks and worn-down facades kept veering me toward decay and the assemblage of broken pieces, however, and I start sketching hardware and darker birds, like the crow...
Ultimately, I realized I was envisioning a collage. Gears, hardware and premonitory blackbirds. A bit of melancholy and a bit of peace. I'll post my final piece shortly.
Snow days and a late Valentine's Day party
It's well after Valentine's Day, but we've had a ton of snow out here this winter, and my son's class is actually having their party today. We created cute little bags for his classmates, and I thought I'd share the template and our results.
To get the ball rolling, I made some of the hearts and a few other decorations, but my five year old impressively put in another two hours coloring the rest. I did the cutting, and my husband did the gluing (with a little Mod Podge). Together, we made 23 of these:

We stuffed them with a piece of dark chocolate and a few heart stickers and sent them off with my son this morning. I am looking forward to hearing what the kids think!
If you'd like a copy of this template, you can download this picture below (select Fit to Print on your printer), or leave a comment, and I will email you a PDF.
Happy belated Valentine's Day!
To get the ball rolling, I made some of the hearts and a few other decorations, but my five year old impressively put in another two hours coloring the rest. I did the cutting, and my husband did the gluing (with a little Mod Podge). Together, we made 23 of these:

We stuffed them with a piece of dark chocolate and a few heart stickers and sent them off with my son this morning. I am looking forward to hearing what the kids think!
If you'd like a copy of this template, you can download this picture below (select Fit to Print on your printer), or leave a comment, and I will email you a PDF.
Happy belated Valentine's Day!
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